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I leggendari filtri analogici dell'Allen&Heath sono stati ulteriormente migliorati nel range di frequenza e nelle possibilità di modulazione e racchiusi in questa unità esterna che ha in più rispetto agli altri filtri della serie xone la funzione 'valve overdrive' e un inseguitore di inviluppo... I filtri sono combinabili così come è editabile il routing del segnale per creare nuove ipnotiche sfumature sonore. Prodotto per intenditori.

caratteristiche

FILTER TYPES
Three different filter types are provided, High-Pass, Band-Pass and Low-Pass and these can be selected together to create further types, for instance high-pass and low-pass together create a Notch filter. All of the filter controls are “soft switched” to prevent clicks allowing them to be changed on the fly.
RESONANCE
Resonance control allows the sharpness of the filter to be adjusted from a gentle roll off for a subtle filter sound, to near oscillation at maximum. Automati c Resonance Control (ARC) monitors the output of the filter and automatically reduces the resonant peaks of high signal levels thus minimising potentially systemdamaging transients.
FILTER MODES
The filter can be configured as a stereo 2-pole (12dB/octave) or a mono 4-pole (24dB/octave) by selecting the Mono switch on the rear panel without the need to re-patch.
REAR PANEL
Another rear panel switch, when selected, sums the inverted filter signal with the non filtered input signal and routes the remainder to the TRS jack outputs; this can give some unusual and subtle sounds, especially if routed to an effects unit.
VALVE
As well as the VCA filter the VF-1 also has a valve (tube) input stage with drive control allowing the signal level though the valve to be progressively increased in order to create strong second harmonics or can be taken all the way into clipping. This is a great tool for adding warmth to a mix or for fattening up thin reedy bass sounds. Automatic gain reduction circuitry maintains a near constant output level as the overdrive control is increased.
ENVELOPE FOLLOWER
An Envelope Follower with switchable release speed allows the filter cut-off frequency to be modulated by the intensity of the input signal and can be used to create some interesting effects with drum loops and bass lines, or can be switched into the valve overdrive circuits to give intensity modulated overdrive.
LFO
A wide range LFO (low frequency oscillator) with square/triangle waveforms completes the modulation toolbox for the filter system.
MIDI
The VF-1 can send and receive MIDI allowing the filter frequency, filter type and on/off status to be remotely controlled or saved to a sequencer. It can be configured to operate in several different modes, for instance one mode will allow it to interface to our MIDI equipped Xone:92 DJ mixer, and another to track the filters to MIDI notes.
INPUTS AND OUTPUTS
Finally the VF-1 is equipped with a wide range of input and output connectors, including balanced XLR, TRS Jack and RCA Phono making it easy to interface to almost any system.
A dedicated monitor output on ¼” TRS Jack is provided to allow the filtered sound to be previewed with filters bypassed.
Operating Level XLR: +4dBu Headroom +22 dB Jack: 0dBu Headroom +22dB RCA: 0dBu Headroom +22dB Maximum Output: +26dBu
Frequency Response (10Hz-30KHz)
Line to Main output: +0/-0.5dB (Filter OFF)
Distrortion (at 1KHz +0Vu out)
THD + Noise (line in 0dB gain) <0.002% (Filter OFF)
Noise Performance (22Hz-22KHz unweighted)
Residual output noise,XLR output:
Filter OFF <-100dBu
Filter ON <-85 dBu (89db S/N)
Filter Type: VCF, stereo 12dB/octave or mono 24dB/octave
Sweep Range: 20Hz-20KHz
Control: Manual, envelope follower, LFO, MIDI
Resonance: Variable, Automatic resonance control
System Power Supply Internal Universal Input Power Consumption: 14W Max 7W nominal

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